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Adam S. Miller. Salt Lake City, UT: Greg Kofford Books, 2012. Softbound, 6x9", 147 pages.
Doing theology is like building a comically circuitous Rube Goldberg machine: you spend your time tinkering together an unnecessarily complicated, impractical, and ingenious apparatus for doing things that are, in themselves, simple. But there is a kind of joy in theology’s gratuity, there is a pleasure in its comedic machination, and ultimately—if the balloon pops, the hamster spins, the chain pulls, the bucket empties, the pulley lifts, and (voila!) the book’s page is turned—some measurable kind of work is accomplished. But this work is a byproduct. The beauty of the machine, like all beauty, is for its own sake.
Theology, maybe especially Mormon theology, requires this kind of modesty. The Church neither needs nor endorses our Rube Goldbergian flights. The comic aspect of the arrows we wing at cloudy skies must be kept firmly in mind. The comedy of it both saves us from theology and commends us to it.
Engaged in this work, theology has only one definitive strength: it can make simple things difficult. Good theology forces detours that divert us from our stated goals and prompt us to visit places and include people that would otherwise be left aside. The measure of this strength is charity. Theological detours are worth only as much charity as they are able to show. They are worth only as many waylaid lives and lost objects as they are able to embrace. Rube Goldberg machines, models of inelegance, are willing to loop anything into the circuit—tax collectors, prostitutes, lepers, Democrats, whatever. In charity, the grace of a disinterested concern for others and the gratuity of an unnecessary complication coincide. Theology helps us to find religion by helping us to lose it. Theology makes the familiar strange. It ratchets uncomfortable questions into complementary shapes and helps recover the trouble that is charity’s substance.
This book is itself a Rube Goldberg machine, pieced together from a variety of essays written over the past ten years. They offer explicit reflections on what it means to practice theology as a modern Mormon scholar and they stake out substantial and original positions on the nature of the atonement, the soul, testimony, eternal marriage, humanism, and the historicity of the Book of Mormon.
Praise for Rube Goldberg Machines:
"Adam Miller is the most original and provocative Latter-day Saint theologian practicing today." —Richard Bushman, author of Joseph Smith: Rough Stone Rolling
"Successful Rube Goldberg Machines do ordinary work, but they do it in complicated, funny, beautiful ways. When they are successful we cannot turn our eyes away. By those measures, Adam Miller’s Rube Goldberg Machines are a success, one that I envy. As a stylist, Miller gives Nietzsche a run for his money. As a believer, Miller is as submissive as Augustine hearing a child’s voice in the garden. Miller is a theologian of the ordinary, thinking about our ordinary beliefs in very non-ordinary ways while never insisting that the ordinary become extra-ordinary." —James Faulconer, Richard L. Evans Chair of Religious Understanding,Brigham Young University
"Miller's language is both recognizably Mormon and startlingly original, as are the forms the language takes—fragments, aphorisms, prose poems—arguments made art. The whole is an essay worthy of the name, inviting the reader to try ideas, following the philosopher pilgrim's intellectual progress through tangled brambles and into broad fields, fruitful orchards, and perhaps a sacred grove or two." —Kristine Haglund, editor of Dialogue: A Journal of Mormon Thought
"Miller’s Rube Goldberg theology is nothing like anything done in the Mormon tradition before. Rather than engage in historical mining of ideas or semantic analysis, Miller treats various byways and paths through Mormonism as if admiring a fine diamond—experiencing it, turning its facets, looking at the clarity of light and reveling in its colors." —Blake Ostler, author of the Exploring Mormon Thought series
"The value of Miller’s writings is in the modesty he both exhibits and projects onto the theological enterprise, even while showing its joyfully disruptive potential. Conventional Mormon minds may not resonate with every line of poetry and provocation—but Miller surely afflicts the comfortable, which is the theologian’s highest end." —Terryl Givens, author of By the Hand of Mormon: The American Scripture that Launched a New World Religion
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